Monday, June 24, 2013

Encontrar Nuestro Ritmo


The IFSA gang headed a couple of hours south of Lima to the province of Chincha for a relaxing “fin de semana” before the madness of final exams.   We stayed in the sleepy district of El Carmen, an area known for its Afro Peruvian population.  Due to an earthquake in 2007 that devastated the area, the town wasn’t really much to speak of.  But our hotel on the outskirts of the “pueblita” had a pool and served up really tasty traditional food; probably the best “papa a la huancaína” that I’ve eaten yet and the “carapulcra y sopa seca” was truly worth writing home about.

Plaza Central
 Fun in the streets
Acá la gente come gatos...

Its always a little weird to transition from my life in Lima to the tourist experience in the provinces; for me, its like a little bought of cultural shock every time.  These days, I feel more like a local than anything else, but every time I leave the city I am reminded once again of the fact that I am and always will be a “gringa”.  When you travel, in any country, your interactions with locals are part of a business transaction; as such, it’s hard to relate with people as equals.  The rules of professional conduct, and certainly the important role that financial transactions play, makes genuine and intimate interactions almost impossible.  For me it was a little strange to be part of an American enclave staying in a walled and gated hotel on the edge of El Carmen.  Regardless, it was a really fun trip; a good chance to breath clean air and see the sun. Things I ordinarily take for granted, but that have become more and more of an uncommon occurrence during the recent weeks.

IFSA love
 Relaxation
A beautiful butterfly

We rolled out of Lima in our private bus on Friday during midday.  While traversing the narrow streets of Chorrillos we celebrated the birth of IFSA student Sharene.  As you can see the chocolate cake was radically tasty.  That night we ate a delicious dinner and watched the Peru and Ecuador soccer game (Peru won again!).  Two of my friends were lucky enough to be in the National Stadium for the game-I was super jealous! 


On Saturday, I got up early to get some homework done before the day.  We had a brief informational “charla” about Afro Peruvian history: http://centroafroperuano.blogspot.com/.  Peru has a large African population that can trace its origins to the birth of the Spanish colony.  The first Africans in Peru were slaves that worked in agriculture or skilled labor.   However, the take away point from our conversation was that throughout their long history in Peru the African population has contributed to Peruvian heritage in a myriad of ways.  We learned about famous important Afro Peruvian historical figures such as: San Martín de los Porres and Maria Elena Moyana as well as the contributions of Afro Peruvians to Peruvian cuisine and culture.  Two instruments, the cajón and the cajita, invented by Afro Peruvians are considered part of the Peruvian “patrimonio nacional” (national culture heritage).

The cajón and the cajita in action.

After a delicious lunch, we headed to the Centro Cultural Afroperuano to learn how to play cajón and dance zapateo.  In Peru, the heart of the Spanish colony in the Americas, the use and production of instruments was forbidden among enslaved populations because music and dance are a pervasive way of transmitting culture.  To fill this gap, skilled Afro Peruvian carpenters invented the cajón when they discovered the percussive potential of furniture; it is now used in Spain in traditional flamenco music.  Another typical instrument is the cajita, which is literally an alms box turned drum.  Our teacher was Hector of the group Kimbafa: http://www.kimbafa.com/.

Zapateo 
 Group shot.
 Cajón Circle.
 Learning Afro Peruvian tap dance: zapateo.

We returned to our hotel to learn festejo.  Our teacher was…intense; she split us into two groups: guys and girls.  She set us up in a “u” so that everyone could see, but when I couldn’t stop laughing she made sure that I was front and center.  Sharene, the only able bodied African American in our group, picked up the dance with little effort.  Thrilled with her new student's progress our instructor asked Sharene to demonstrate and referred to her new student as “mi sangre”.  Learning some new moves was fun, but watching the IFSA guys kill it on the dance floor was even better.  One of the guys, the tallest and skinniest of the bunch, was having some trouble connecting with his hips; upon seeing this, our dance instructor marched right over to help him feel the music.  After moving his hands to a more intimate location on her hips she preceded to give him the lesson of a lifetime; the only thing that he could do, while blushing, was remark, “Claro, siempre es major con una chica.”

Festejo
Group shot.
Las chicas-trying to feel sexy and not laugh.
 The lesson of a life time...
 Hips don't lie
White boys can feel the music too

We closed the evening with a campfire and stories.  Our guide told us a slew of traditional Afro Peruvian fables in which animism played a prominent role.  He was truly a talented storyteller, and I found myself lost in the world of his tales.  We then translated American ghost stories into Spanish with varying degrees of success.      


Sunday morning before heading home to Lima we visited Huaca la Centinela in Chincha Baja.  Huaca la Centinela was the principal settlement of the Chicha culture between 900 and 1450 AD; although conquered by the Inca in 1450, the Chichas retained some of their autonomy.  For this reason, Inca and Chicha constructions exist in harmony in this site. 


 Just some gals and a Huaca
 Earthquake evidence...
Inca constructions.

The day was as grey as the belly of the donkey, and I must admit that I wasn’t overly thrilled at the idea of seeing yet another archaeological site.  However, it was a nice chance to see the area, and a really interesting example of a poorly cared for archaeological site.  There is clearly a huge diversity in funding and effort spent in maintaining Peru´s cultural heritage; unfortunately, Huaca la Centinela is located in a zone that doesn’t receive many tourists.  As such, it is poorly maintained; after the earthquake of 2007 it resembles little more than a slowly eroding pile of clay capped in a tall wooden cross.  But that’s not say that Huaca la Centinela is not without charm; virtually vacant of tourists and subject to the slow erosion of time this site is truly a city of ghosts.    

View from the top
 Besitos...
Politically correct?

No comments:

Post a Comment